Dreaming about the Yesteryear: Difference between revisions
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{{Event | {{Event | ||
|Event display name= | |Event display name=Dreaming about the Yesteryear | ||
|Date Start=2018-04-27 12:00 AM | |Date Start=2018-04-27 12:00 AM | ||
|Date End=2018-04-27 12:00 AM | |Date End=2018-04-27 12:00 AM | ||
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|Funded by=Cultural Arts Division of the City of Austin Economic Development Department; The Consulate General of Mexico in Austin | |Funded by=Cultural Arts Division of the City of Austin Economic Development Department; The Consulate General of Mexico in Austin | ||
|Event artist=Miguel Angel Salazar | |Event artist=Miguel Angel Salazar | ||
|Event admission type=Free | |||
|Airtable Record ID=recP3MirncokVKTG9 | |Airtable Record ID=recP3MirncokVKTG9 | ||
|Airtable Last Modified=2023-11- | |Airtable Last Modified=2023-11-25 2:13 PM | ||
|Is public=1 | |Is public=1 | ||
}} | }} | ||
Latest revision as of 10:07, November 26, 2023
| Date | 04.27.18 |
| Format | |
| Medium | |
| Admission | Free |
| Event artist | |
| Presented by | |
| Funded by | |
| Associated Program | Unlisted Projects |
'new work by Miguel Angel Salazar
The Museum of Human achievement and Unlisted Projects is pleased to announce the solo exhibition Dreaming about the Yesteryear by Miguel Angel Salazar. This solo exhibition is the result of Salazar’s month-long exploration on digital archeology, or the conceptual excavation of objects downloaded from the internet and their translation into tangible, three dimensional, digitally printed sculptures.
About the artist: Miguel Angel Salazar lives and works in Mexico City. He produces objects and videos that derive from a quasi-archaeological search of digital archives and the re-collection of personal memories. These digital and physical reproductions take on new forms as the artist reconsiders their association between the past and the present. Creating a bridge between the physical world and the digital one, with constant crossing from one to the other, Salazar explores the possibility of an interaction between new production processes and traditional ones. The reproduction of each object is an opportunity to fragment both digital and personal memories.
