Vidusekso: Difference between revisions
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{{Event | {{Event | ||
|Event display name=Vidusekso | |Event display name=Vidusekso | ||
|Date Start=2018-04-21 | |Date Start=2018-04-21 12:00 AM | ||
|Date End=2018-04-27 | |Date End=2018-04-27 12:00 AM | ||
|Event description=Vidusekso is an interactive installation and theatre piece contained within a free-standing octagon. | |Event description=Vidusekso is an interactive installation and theatre piece contained within a free-standing octagon. | ||
The spectator approaches one of the 8 sides, inserts their body into the two sleeves extending inwards and looks through the eye apertures into the space within. Only when fully inserted will each participant be able to experience the piece. From the outside one will see eight bodies pressed and partially consumed by a black doorways. Inside of the octagon lives the densely and colorfully erratic world of Kuniklo. The eight participants witness each other as a different surreal character/animal/god. The only character the participant cannot see is themselves. Once every side of the octagon is filled, the play begins. Inside of each mask a different audio track plays, transmitting specific instructions for each player. The audience is not able to view the piece without inserting themselves into it, creating a co-dependency between viewer, artist and environment. | The spectator approaches one of the 8 sides, inserts their body into the two sleeves extending inwards and looks through the eye apertures into the space within. Only when fully inserted will each participant be able to experience the piece. From the outside one will see eight bodies pressed and partially consumed by a black doorways. Inside of the octagon lives the densely and colorfully erratic world of Kuniklo. The eight participants witness each other as a different surreal character/animal/god. The only character the participant cannot see is themselves. Once every side of the octagon is filled, the play begins. Inside of each mask a different audio track plays, transmitting specific instructions for each player. The audience is not able to view the piece without inserting themselves into it, creating a co-dependency between viewer, artist and environment. | ||
|Event format=Exhibition; Performance | |||
|Event medium=Fashion; Installation; Puppetry; Sound Art; Textile | |||
|Associated Program=Unlisted Projects; Fiscal Sponsorship | |||
|Presented by=Unlisted Projects; Fusebox | |||
|Presented by=Unlisted Projects | |||
|Funded by=Cultural Arts Division of the City of Austin Economic Development Department | |Funded by=Cultural Arts Division of the City of Austin Economic Development Department | ||
|Event artist=Kuniklo | |Event artist=Kuniklo | ||
| | |Event admission type=Free | ||
| | |Airtable Record ID=recPFGTYAvx1PYysg | ||
|Airtable Last Modified=2023-11-25 2:13 PM | |||
|Is public=1 | |||
}} | }} | ||
Latest revision as of 10:07, November 26, 2023
| Date start | 04.21.18 |
| Date end | 04.27.18 |
| Start Time | 12am |
| Format | |
| Medium | |
| Admission | Free |
| Event artist | |
| Presented by | |
| Funded by | |
| Associated Program | Unlisted Projects · Fiscal Sponsorship |
Vidusekso is an interactive installation and theatre piece contained within a free-standing octagon.
The spectator approaches one of the 8 sides, inserts their body into the two sleeves extending inwards and looks through the eye apertures into the space within. Only when fully inserted will each participant be able to experience the piece. From the outside one will see eight bodies pressed and partially consumed by a black doorways. Inside of the octagon lives the densely and colorfully erratic world of Kuniklo. The eight participants witness each other as a different surreal character/animal/god. The only character the participant cannot see is themselves. Once every side of the octagon is filled, the play begins. Inside of each mask a different audio track plays, transmitting specific instructions for each player. The audience is not able to view the piece without inserting themselves into it, creating a co-dependency between viewer, artist and environment.
