Canto de Todes: Difference between revisions

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Canto de Todes upends the expectation of the rigidness often associated with witnessing chamber music performances by offering a welcoming space that allows individuals to project their personal, communal joys, and traumas. It is a collaborative work with local artists who are invited to permanently incorporate their respective visions into the body of this evolving piece.
Canto de Todes upends the expectation of the rigidness often associated with witnessing chamber music performances by offering a welcoming space that allows individuals to project their personal, communal joys, and traumas. It is a collaborative work with local artists who are invited to permanently incorporate their respective visions into the body of this evolving piece.
|Event short description=Canto de Todes is an immersive 12-hour composition/installation. The Creative Capital-awarded project emphasizes the urgency of folk music as a vessel for social change.
|Event short description=Canto de Todes is an immersive 12-hour composition/installation. The Creative Capital-awarded project emphasizes the urgency of folk music as a vessel for social change.
|Presented by=Fusebox Festival; Women & Their Work
|Presented by=Women & Their Work; Fusebox
|Event artist=Dorian Wood
|Event artist=Dorian Wood
|Event format=Performance
|Event format=Performance

Latest revision as of 21:19, March 24, 2024


Canto de Todes.jpg

Event Info
Date 04.10.24
Time 11am–11pm
Format
Medium
Admission $5–40
Sliding Scale
Involved
Event artist
Presented by
Links · Resources
Resources

Canto de Todes is an immersive 12-hour composition and installation. Inspired by a lyric of the late Chilean singer and songwriter Violeta Parra, the Creative Capital-awarded project emphasizes the urgency of folk music as a vessel for social change.

A genre-defying canon of songs arriving as a long-durational spatial experience, the work is divided into three movements. The first and third movements are hour-long chamber pieces influenced by folk, popular, and experimental music. The second movement is a 10-hour pre-recorded piece unfolding throughout multiple spaces within the hosting venue.

Canto de Todes upends the expectation of the rigidness often associated with witnessing chamber music performances by offering a welcoming space that allows individuals to project their personal, communal joys, and traumas. It is a collaborative work with local artists who are invited to permanently incorporate their respective visions into the body of this evolving piece.