Minutiae: Difference between revisions

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{{Event
{{Event
|Event display name=Minutiae
|Event display name=Minutiae
|Date Start=2015-05-13
|Date Start=2015-05-13 12:00 AM
|Date End=2015-06-15
|Date End=2015-06-15 12:00 AM
|Total days adjusted=34
|Event description=<blockquote>"The miniature, then, is an attempt to reproduce the universe in graspable form. It represents a desire to possess the world more completely, to banish the unknown and the unseen. We are teased out of the world of terror and death, and under the enchantment of the miniature we are invited to become God.”</blockquote>
|Event description=** Opening Show
<cite>&mdash; The Fascination of the Miniature, Steven Millhauser, 1983</cite>
MINUTIAE
</blockquote>
 
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“The miniature, then, is an attempt to reproduce the universe in graspable form. It represents a desire to possess the world more completely, to banish the unknown and the unseen. We are teased out of the world of terror and death, and under the enchantment of the miniature we are invited to become God.” The Fascination of the Miniature, Steven Millhauser, 1983


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Why does this practice remain so enchanting in a time when our tools allow an ever-progressing level of dexterity? What does the process of reduction look like when we are increasingly engaged in digital spaces where physical size is growing less relevant? What carries over in the translation of scale, from a world-of-us to a world-of-that? How to best capture the clarity of a chair, a woodpecker, the dust of many years, when those things are removed from us bodily? Why the small? Minutiae is considering these questions, and others.
Why does this practice remain so enchanting in a time when our tools allow an ever-progressing level of dexterity? What does the process of reduction look like when we are increasingly engaged in digital spaces where physical size is growing less relevant? What carries over in the translation of scale, from a world-of-us to a world-of-that? How to best capture the clarity of a chair, a woodpecker, the dust of many years, when those things are removed from us bodily? Why the small? Minutiae is considering these questions, and others.
|Presented by=Bone Spirits,Dos Equis
|Event format=Exhibition
|Event artist=Natalie Villareal,Frederick Follmer,Neeka Allsup,Troy Allen,Katie Green,Robby Kraft,Raquel Bell,Karen Woodward,Emma Hadzi-Antich,Gwyniver Rhy Norton
|Event medium=Mixed Media; Sculpture
|Type of Event=Art
|Sponsored by=Bone Spirits; Dos Equis
|Event ticket price=$0
|Event artist=Natalie Villareal; Frederick Follmer; Neeka Allsup; Troy Allen; Katie Green; Robby Kraft; Raquel Bell; Karen Woodward; Emma Hadzi-Antich; Gwyniver Rhy Norton
|Is public=Yes
|Event admission type=Free
|Airtable Record ID=rec33MTYLbVenGw2X
|Airtable Last Modified=2023-11-25 2:13 PM
|Is public=1
}}
}}

Latest revision as of 10:08, November 26, 2023


Event Info
Date start 05.13.15
Date end 06.15.15
Start Time 12am
Format
Medium
Admission Free


"The miniature, then, is an attempt to reproduce the universe in graspable form. It represents a desire to possess the world more completely, to banish the unknown and the unseen. We are teased out of the world of terror and death, and under the enchantment of the miniature we are invited to become God.”

— The Fascination of the Miniature, Steven Millhauser, 1983

Much has been made of the laborious work of the miniaturist. The impossibly small has long been a fixture in the realm of the fantastic; recall the island empire of the Lilliputians, Alice’s impassably tiny doorway, the royal dollhouses of each monarchic playroom. In the more menial aspects of the day-to-day, delight and surprise is expressed too for these moments of delicacy and virtuosity. We reserve a special kind of wonder for instances of deepening intricacy and for the illuminating quality of the obsessive (or the obsessed) that is revealed by closer inspection, or under glass.

Why does this practice remain so enchanting in a time when our tools allow an ever-progressing level of dexterity? What does the process of reduction look like when we are increasingly engaged in digital spaces where physical size is growing less relevant? What carries over in the translation of scale, from a world-of-us to a world-of-that? How to best capture the clarity of a chair, a woodpecker, the dust of many years, when those things are removed from us bodily? Why the small? Minutiae is considering these questions, and others.