Press:141: Difference between revisions
m (Text replacement - "|Press Event Name=" to "|Event name=") |
m (Text replacement - "|Press Airtable" to "|Airtable") |
||
| Line 10: | Line 10: | ||
|Press Publication=Austin Chronicle | |Press Publication=Austin Chronicle | ||
|Event name=See Me Where I Am | |Event name=See Me Where I Am | ||
| | |Airtable Event Record ID=recFv6ZCo7Z3TtmEO | ||
|Press Highlight=1 | |Press Highlight=1 | ||
}} | }} | ||
Revision as of 10:30, November 25, 2023
| Author |
|
| Link | Nadia Waheed: "Notes From a Windowless Room" at Raw Paw |
| Description | Explorations of identity by an artist of color, of colors, of many colors |
| Event |
But, oh my, the paintings. "These paintings are an effort to form a bridge between my Pakistani heritage and my Westernization," says the internationally raised artist who currently lives in Austin and has a studio in the Museum of Human Achievement. Waheed's art attempts to bridge the cultural gap primarily by exploring the brown female nude. "It's taboo imagery," she says, "which I wouldn't have been able to deal with as directly in Pakistan. I also consider the slow degradation of my native language, being away from Karachi, leading to additional explorations of assimilation, Americanization, and Westernization. I strive to make a comprehensive image that melds connection with the self with racial and cultural identity, using the figure as a vehicle, rounded off with a meandering through any subconscious imagery that surfaces while making the work."
