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|Press URL=https://www.austinchronicle.com/arts/2018-11-30/annie-miller-i-see-london-i-see-france/ | |Press URL=https://www.austinchronicle.com/arts/2018-11-30/annie-miller-i-see-london-i-see-france/ | ||
|Press Publication=Austin Chronicle | |Press Publication=Austin Chronicle | ||
| | |Event name=Cage Match Project, Round IX: I see london, I see france | ||
|Press Airtable Event Record ID=recaNPq4URqH2ANHo | |Press Airtable Event Record ID=recaNPq4URqH2ANHo | ||
}} | }} | ||
Revision as of 10:30, November 25, 2023
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| Link | Annie Miller: I see london, I see france at MoHA |
| Description | This show in the Cage Match Project series casts the viewer as peeping Tom, looking through holes in a boarded-up trailer to view art |
| Event |
Miller's frame comes assigned, in a way. The show is "Round Nine" in the ongoing Cage Match Project series from the Museum of Human Achievement, wherein artists are asked to stage a show within a rusty industrial trailer parked in a lot, measuring 20 feet by 8 feet by 7 feet. For her part, Miller closes the cage off, leaving the viewer to encounter a boarded-up trailer that, at night, has a sickly neon glow. The viewer might approach with apprehension, uncertain of what is inside but nonetheless drawn like a moth to the light. Conveniently for them, and me, there are a few holes in the boards. Climbing up on a bench to peer through one such hole no larger than a golf ball, I press my eye against the wood only to see an eyeball staring back at me. I register it as my own reflection, blinking in a mirror positioned just opposite the hole. Trying another drilled opening further down, though, reveals a painting of a figure, rendered in vibrant blocks of pink and orange offset by tropical blue lines, hung on the back wall.
