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| "<blockquote>"Seventeen magazine ran a two-page pullout spread that doubled as an emo “how-to” guide, detailing how girls should wear vintage clothes and hair barrettes; for guys, v-neck sweaters and visible copies of arty books…”
| | ''with Luis Garay, Daniela Libertad, Rachel Mars, Anna Rispoli<br> |
| <cite>— Andy Greenwald – Nothing Feels Good: Punk Rock, Teenagers, and Emo</cite>
| | Moderated by Leslie Moody Castro'' |
| </blockquote>
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| <blockquote>"I no longer love your mouth. I no longer love your eyes. I no longer love your eyes. I no longer love the color of your sweaters…"
| | A discussion with four Fusebox artists each working within very different fields. The conversation is both an opportunity to connect and learn about these artists, but it’s also designed to be a playful act of discovery. What threads, what connections, themes and ideas emerge as we dive into these seemingly disparate artists? |
| <cite>—Laurie Anderson – “Sweaters”</cite>
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| </blockquote>
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| <blockquote>"I like sweaters. I have a sweater obsession, I guess."
| | Join us for fresh waffles and delicious coffee by Sa-Ten |
| <cite>—Drake-</cite>
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| </blockquote>
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| Your grandma’s cardigan; Notorious B.I.G.’s Coogi; your favorite thrift store find; Weezer’s metaphor for lost love; that one that your ex gave you that you can’t seem to throw away; Leslie Hall’s Gem Sweater Museum; the holiday-themed atrocity with jingle bells sewn onto it; Laurie Anderson’s ode to fading love…
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| These are sweaters we have owned and worn, known and loved.
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| Why Sweaters? Because sweaters are a mainstay of contemporary life and the pop culture which runs alongside it. Beyond the facts of being a knitted garment, a source of warmth, or a herald of comfort, they are a display of awesomeness. Furthermore: every sweater bears a story.
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| Above perhaps all other garments, sweaters are most intimately associated with an abundance of feeling, both literal and otherwise. They are also aligned with concepts of intricately knitted pattern as well as holiday festivity, two cultural aspects which have led to the mainstreaming (and widespread commercial production) of “ugly sweaters.”
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| SWEATERS I HAVE KNOWN AND LOVED addresses these issues in an exhibition of sweaters from various artists’ personal collections, along with their stories.
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| The sweaters are displayed for their merit as standalone art objects, a glimpse into the artists’ lived experiences via fashion choices and/or sentimental orientation. SWEATERS I HAVE KNOWN AND LOVED explores how the artist’s sweater is art, by way of both aesthetic and/or sentimental value.
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| ===displaying works from the personal collections of:===
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| :alyssa taylor wendt
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| :marlee mendelson
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| :amanda vaughan
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| :jules buck jones
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| :laurel barickman
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| :lauren klotzman
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| :drew liverman
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| :daniel hipolito
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| :wayne coyne
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| :nate ellefson
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| :tina sparkles
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| :ethan brown
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| :noel kalmus
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| :kayla rakes
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| :xochi solis
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| :thor harris
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| :ben aqua
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| :ej rosen
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| :yamin li"
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with Luis Garay, Daniela Libertad, Rachel Mars, Anna Rispoli
Moderated by Leslie Moody Castro
A discussion with four Fusebox artists each working within very different fields. The conversation is both an opportunity to connect and learn about these artists, but it’s also designed to be a playful act of discovery. What threads, what connections, themes and ideas emerge as we dive into these seemingly disparate artists?
Join us for fresh waffles and delicious coffee by Sa-Ten
