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"New Work by MoHA's August Artist in Residence Wade Schaming

Wade Schaming's sculptures are painstakingly assembled solely through processes of stacking. The materials remain unchanged – used as is/found – and are unfixed to each other: as such, he creates delicate juxtapositions perilously balanced, like thought given concrete form. From discarded and forgotten objects which memorialize hope, the assembled forms aspire to return dignity to the bearer and evoke empathy in the viewer. Schaming's process is site-specific and confined to the present moment: because the artist works only with found and discarded materials (nothing he uses is purchased), his pieces reflect their origins while reinforcing a desire to create impermanence. "

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-<poem>BASICALLY,
+"''New Work by MoHA's August Artist in Residence
-EVERYTHING IS NOTHING
+Wade Schaming''
-AND NOTHINGNESS CONTAINS EVERYTHING
-BUT IF YOU GO INTO THIS OBLIVION STATE
-YOURE A SELF CENTERED PRICK</poem>
-(New work by Diego Mireles and Bethany Price)
+Wade Schaming's sculptures are painstakingly assembled solely through processes of stacking. The materials remain unchanged – used as is/found – and are unfixed to each other: as such, he creates delicate juxtapositions perilously balanced, like thought given concrete form. From discarded and forgotten objects which memorialize hope, the assembled forms aspire to return dignity to the bearer and evoke empathy in the viewer. Schaming's process is site-specific and confined to the present moment: because the artist works only with found and discarded materials (nothing he uses is purchased), his pieces reflect their origins while reinforcing a desire to create impermanence.
+"
-Like a boiling kettle of acid simultaneously disintegrating and bubbling over, the limitations of the studio space cultivate a means for both meditative action and spastic articulation. In containment, practices run together, drunkenly hit heads, and sit quietly side by side in culmination to artifacts of the zone. Diego Mireles Duran is slowwwly traveling through the lines of communication with self and ‘self’ on flying rollerblades. Bethany Price is stuck between the body as a mute cradle and the external great abandon. One aims to create a series of depictions with metaphysical sarcasm and psychsploitation; the other deciphers the code of psychosomatic experience within color theory and myth of memory. Both artists seek grounding and connectivity through mutated mysticism within their oozing, layered sphere. Notes of reality have been collectively gathered as Mireles and Price examine the internal call/response dialog of play and shared space.