Canto de Todes: Difference between revisions
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{{Event | {{Event | ||
|Airtable Record ID=recz4qlWRPFP1rEGV | |||
|Airtable Last Modified=2024-02-01 8:02 PM | |||
|Event display name=Canto de Todes | |Event display name=Canto de Todes | ||
|Date Start=2024-04- | |Date Start=2024-04-10T11:00:00.000Z | ||
|Date End=2024-04- | |Date End=2024-04-10T23:00:00.000Z | ||
|Event image=Canto de Todes.jpg | |||
|Event description=Canto de Todes is an immersive 12-hour composition and installation. Inspired by a lyric of the late Chilean singer and songwriter Violeta Parra, the Creative Capital-awarded project emphasizes the urgency of folk music as a vessel for social change. | |Event description=Canto de Todes is an immersive 12-hour composition and installation. Inspired by a lyric of the late Chilean singer and songwriter Violeta Parra, the Creative Capital-awarded project emphasizes the urgency of folk music as a vessel for social change. | ||
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Canto de Todes upends the expectation of the rigidness often associated with witnessing chamber music performances by offering a welcoming space that allows individuals to project their personal, communal joys, and traumas. It is a collaborative work with local artists who are invited to permanently incorporate their respective visions into the body of this evolving piece. | Canto de Todes upends the expectation of the rigidness often associated with witnessing chamber music performances by offering a welcoming space that allows individuals to project their personal, communal joys, and traumas. It is a collaborative work with local artists who are invited to permanently incorporate their respective visions into the body of this evolving piece. | ||
|Event short description=Canto de Todes is an immersive 12-hour composition/installation. The Creative Capital-awarded project emphasizes the urgency of folk music as a vessel for social change. | |Event short description=Canto de Todes is an immersive 12-hour composition/installation. The Creative Capital-awarded project emphasizes the urgency of folk music as a vessel for social change. | ||
|Presented by=Fusebox Festival; Women & Their Work | |||
|Event artist=Dorian Wood | |||
|Event format=Performance | |Event format=Performance | ||
|Event medium=Music | |Event medium=Music | ||
|Event admission type=Sliding Scale | |Event admission type=Sliding Scale | ||
|Event admission price sliding low=5 | |Event admission price sliding low=5 | ||
|Resources={{Resource|Resource type=Event link|Resource value=https://withfriends.co/event/17469411/canto_de_todes}} | |Event admission price sliding high=40 | ||
|Is public=Yes | |||
|Resources={{Resource | |||
|Resource type=Event link | |||
|Resource value=https://withfriends.co/event/17469411/canto_de_todes | |||
}} | |||
}} | }} | ||
Revision as of 02:26, February 2, 2024
| Date | 04.10.24 |
| Time | 11am–11pm |
| Format | |
| Medium | |
| Admission | $5–40 Sliding Scale |
| Event artist | |
| Presented by |
| Resources |
Canto de Todes is an immersive 12-hour composition and installation. Inspired by a lyric of the late Chilean singer and songwriter Violeta Parra, the Creative Capital-awarded project emphasizes the urgency of folk music as a vessel for social change.
A genre-defying canon of songs arriving as a long-durational spatial experience, the work is divided into three movements. The first and third movements are hour-long chamber pieces influenced by folk, popular, and experimental music. The second movement is a 10-hour pre-recorded piece unfolding throughout multiple spaces within the hosting venue.
Canto de Todes upends the expectation of the rigidness often associated with witnessing chamber music performances by offering a welcoming space that allows individuals to project their personal, communal joys, and traumas. It is a collaborative work with local artists who are invited to permanently incorporate their respective visions into the body of this evolving piece.
